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    View Sueño by Harold WatsonPreview
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    Sueño

    by Harold Watson

    This is the price your customers see. Edit price list

    Hardcover, Dust Jacket
    Full-colour dust jacket over linen cover
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    VAT will be added at checkout.
    About the Book

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    What's a city? A melting pot of contradictions, tumultuous and vibrant, perpetually changing.
    Paris, Brussels, San Sebastian or Venice: in the European city—natural habitat, place of transit, ultimate playground—I explore my immediate surroundings through the prism of a certain conception of travel.
    Moved by a feeling of urgency, I record my trajectories. I photograph faces and bodies that appear and disappear instantly into the moving crowd—a chassé-croisé of chaotic itineraries rhythmed by confrontations—attempting to convey the intuition of a flux, the tangible dynamic, the inner beat of the city, its energy.

    Incessantly questioning my relationship to the territory, I mean to sketch an intimate cartography of the world in which I move, to depict and transfigure the ordinary, to suggest the outlines of my relationship to the world, my sense of a common destiny.
    Author website
    http://haroldwatson.net
    Features & Details

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    • Primary Category: Arts & Photography Books
    • Project Option: Standard Landscape, 10×8 in, 25×20 cm
      # of Pages: 94
    • Publish Date: Jun 11, 2018
    • Language English
    • Keywords Harold, Watson, harold, watson, sueno, photgraphy, photographie, noir, blanc, black, white
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    About the Creator
    harryfot
    Harold Watson
    Paris, France

    J’interroge sans cesse mon rapport au territoire, pour esquisser cette cartographie intime de l’univers dans lequel j’évolue, décrypter et transfigurer le banal, suggérer les contours d'une relation au monde que je veux multiple et consciente d’un destin commun. Mes images, accumulation de notes prises sur le vif, sont les balises d’une démarche par laquelle je projette les préoccupations qui m’habitent: celles de l'identité et des rapports à l'autre, à l’histoire collective, au sacré. En les organisant sous forme de séquences mais aussi en les intégrant à des systèmes d’exposition, je veux donner corps à un travail allégorique—un voyage psychique dont la force d’évocation réside dans sa capacité à suggérer, à inviter le spectateur à revisiter sa propre histoire. Ma pratique de la photographie et les projets qui en découlent s’inspirent à la fois de la tradition de la photographie de reportage, du journal permanent, et de problématiques qui questionnent le médium photographique.

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