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    View Raw Art by CJ HollinsPreview
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    Raw Art

    Primal Imagery and Instinctive Response

    by CJ Hollins

    This is the price your customers see. Edit price list

    Hardcover, ImageWrap
    Hardcover book with full-colour design printed directly on the casewrap
    Quantity:
    VAT will be added at checkout.
    About the Book

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    Art draws our attention to deeper sensations of sight, shape, sound and movement than we normally confront in day-to-day experience. Paintings inviting us to visualise scenes in a more emotive way, sculpture encouraging wonderment for shapes by creating intense form, music enticing impassioned responses to sounds, and dance awakening a dramatic love of movement, but this way of working is now understood to destroy an older experience. Creating art by chance and accident – by NOT guiding material - brings back to mind a redundant way of sensing we inherit from our biological origins, and a modern artist needs to realise they will either be working to bury this inner state of mind behind controlled perfected technique, or reveal it through the creation of raw art.
    Author website
    http://www.paintingbyinstinct.com
    Features & Details

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    • Primary Category: Arts & Photography Books
    • Project Option: 8×10 in, 20×25 cm
      # of Pages: 120
    • Isbn
      • Hardcover, ImageWrap: 9781364380915
    • Publish Date: Feb 07, 2016
    • Language English
    • Keywords Art Research, Psychology of Perception, Art Theory, Abstract Art, Modern Art
    See More
    About the Creator
    arthollins68
    Christopher Hollins
    Whitby, England

    Researching the theory that a modern artist is a person who is trying to rediscover a primal state of mind. Hollins believes traditional art practices arose in prehistory to impose a sense of intelligent control over sight, shape, sound and movement to suppress our older instinctive 'animal' way of sensing. Hollins excelled at art in school but was considered to be a misfit and left at 15 with no formal qualifications. He worked on a car assembly line until, at 20, he walked out and did odd jobs whilst formulating his theory. He says, “ I cannot tell you how I arrived at this idea. I think it had something to do with the way my lack of higher education made me look at everything from an ‘outsider’ point of view. It forced me to make my own interpretation rather than accept the established theories.

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