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    View CODE (2nd Ed.) by Chloe FerresPreview
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    CODE (2nd Ed.)

    3 X 300

    by Chloe Ferres

    This is the price your customers see. Edit price list

    Softcover
    Flexible laminated cover
    Quantity:
    VAT will be added at checkout.
    About the Book

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    3 X 300 is a set of three books, each with three hundred pages, created in approximately three hundred minutes.

    The books explore digital photography, breaking it into abstract primitive forms.

    All three books contain just one image, a vista of Tokyo from above, metaphorically this complex city is the perfect subject for closer inspection.

    3X300 / ZOOM
    Digital photography breaks our world up into squares. ZOOM looks at pixels, by slowly zooming into the image. The resolution of the first page is 300 pixels per inch, while the resolution of the last page is just 1 pixel per inch.

    3X300 / CODE
    Most of the photos taken today will never be printed, they will never live outside a hard drive. CODE aims to display an image as our computer stores it, as lines and lines of text. Although the pages of the book contain only a fraction of the information contained within one photograph.

    3X300 / FADE
    If an image ever makes it into the real world, it will exist as droplets of ink on a page. FADE plays with this concept, recreating the magic of seeing images slowly appear before your eyes, as they do in the darkroom, or within an instant film frame.
    Author website
    http://www.chloeferres.com.au/
    Features & Details

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    • Primary Category: Arts & Photography Books
    • Project Option: 6×9 in, 15×23 cm
      # of Pages: 300
    • Isbn
      • Softcover: 9781320810890
    • Publish Date: Apr 10, 2015
    • Language Undetermined
    • Keywords photography, digital, resolution, code, pixel, imaging, graphic, design, art, photo, tokyo, abstract, creative, photographer, conceptual, book
    See More
    About the Creator
    ChloeFerres
    Chloe Ferres
    Sydney, Australia

    Chloe is a Sydney based creative; collecting and curating a wabi-sabi/modernist aesthetic. Her inclination for monochromatic abstraction is often manifest in her experimental photobook practice which celebrates print as an antidote to the intangibility of digital images.

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