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    View Makasutu by photographs by jason florioPreview
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    Makasutu

    mecca in the forest

    by photographs by jason florio

    This is the price your customers see. Edit price list

    Softcover
    Flexible, high-gloss laminated cover
    Hardcover, Dust Jacket
    Full-colour dust jacket over linen cover
    Hardcover, ImageWrap
    Hardcover book with full-colour design printed directly on the casewrap
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    VAT will be added at checkout.
    About the Book

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    Large and medium format black and white photographs.



    For twelve years I have been returning annually to ‘Makasutu’, an area of sacred forest in the West African republic of The Gambia, to make portraits of the people who live and work there. ‘Makasutu’ received it’s name when the Islamic wave swept though the Sahara in the 12th Century, and Gambian converts used the land as a prayer ground before mosques were erected - hence the name, translated from the local Mandinka language ‘Maka’ – mecca and ‘sutu’ – in the forest. Since then it has always been deemed a hallowed land.



    The portraits are a preservation of the diminishing pastoral and village life in The Gambia and an echo of our own past: that of a simpler, more community driven, family-orientated and less mechanized existence

    Author website
    http://www.floriophoto.com
    Features & Details

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    • Primary Category: Fine Art Photography
    • Project Option: Standard Portrait, 7.75×9.75 in, 20×25 cm
      # of Pages: 114
    • Publish Date: Feb 23, 2009
    • Language English
    • Keywords west africa, gambia, black and white, portraits
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    About the Creator
    jasonflorio
    Jason Florio
    The Gambia, West Africa

    Jason Florio, award-winning photojournalist and filmmaker, originally from London, based in NYC for 18 years before relocating to The Gambia, West Africa, in 2013. He has produced images and documentaries for clients including The New York Times, Smithsonian, The New Yorker, Men’s, Journal, Outside, Bloomberg, National Geographic, Geographical, MIT Technology Review, PepsiCo, Amnesty International and the World Bank. He is a contributing editor for the Virginia Quarterly Review. His focus has been on under-reported stories about people living on the margins of society and human rights. His work has been recognised with a number of awards, including The Magnum Photography Award for his work on migration. He was the first recipient of the Aperture Foundation grant to produce Aperture’s first-ever assigned story, ‘This is Libya’. His work is held in a number of public and private collections and has been presented in solo and joint exhibitions in the USA, Europe, Asia and Africa

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