Gary McLeod explores photography as a method of engaging with/learning from environments. Central to his practice is an act of gathering pieces of a scene and reassembling them to form pictures that hover between the informative and the aesthetic. This monthly journal presents an alternative view of his work. Rather than view photographs as complete compositions, the reader is free to browse the topography of a selected photograph and invited to experience its border, territories, landmarks and events as if flicking through an atlas. (Edition of 50)