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    View PoEMM The Album (hardcover) by Jason Edward LewisPreview
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    PoEMM The Album (hardcover)

    Poetry for Excitable [Mobile] Media

    by Jason Edward Lewis

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    Hardcover, ImageWrap
    Hardcover book with full-colour design printed directly on the casewrap
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    About the Book

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    The Album collects together the work of the Poetry for Excitable [Mobile] Media project. At the beginning of the project I had no idea that I would end up here. But when I began live performances based on the P.o.E.M.M. works, I found myself thinking ever-more obsessively about the tight coupling of form and content found in powerful pop songs. I realized that the eight works from the project--always meant to be a series--were much like an album, cohering around a set of texts and interactive visualizations that worried recursively and fractally on common themes and obsessions while exploring a related set of formal concerns.



    The texts can be read on their own, but the words themselves are only the scaffolding upon which the full work is built. I suggest you download the apps to get that fuller experience, or watch the videos on the website to approximate it. Absorb one work at a time, or sit down and work your way through all eight in one sitting. Enjoy the album artwork. Sing along.



    Robert Frost wrote, “Poetry begins with a lump in the throat”. All of the P.o.E.M.M. works began similarly, with a lump in the throat, a skip of the heart, an epiphany of thought. Enjoy.
    Features & Details

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    • Primary Category: Poetry
    • Project Option: Small Square, 7×7 in, 18×18 cm
      # of Pages: 74
    • Publish Date: May 14, 2013
    • Language English
    • Keywords interactive art, concrete poetry, visual poetry, visual language, computational media, experimental typography, digital poetry, electronic literature, poemm, poetry
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    About the Creator
    bouinfrederi
    Jason Edward Lewis
    Montreal, Quebec, Canada

    Jason Edward Lewis is a digital media poet, artist, and software designer. He founded Obx Laboratory for Experimental Media, where he directs research/creation projects devising new means of creating and reading digital texts, developing systems for creative use of mobile technology and using virtual environments to assist Aboriginal communities in preserving, interpreting and communicating cultural histories. Along with Skawennati, he co-directs Aboriginal Territories in Cyberspace and the Skins Workshops on Aboriginal Stortyelling and Video Game Design. His other interests include computation as a creative material, emergent media theory and history, and methodologies for conducting art-led technology research. Lewis' creative work has been featured at Ars Electronica, Mobilefest, Urban Screens, ISEA, SIGGRAPH, and FILE, among other venues, and has been recognized by a Prix Ars Electronica Honorable Mention, several imagineNATIVE Best New Media awards and four solo exhibitions.

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