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    View SCAM: the scanner as a camera by Mimmo (D) CozzolinoPreview
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    SCAM: the scanner as a camera

    Fragments of an autobiography

    by Mimmo (D) Cozzolino

    This is the price your customers see. Edit price list

    Hardcover, Dust Jacket
    Full-colour dust jacket over linen cover
    Quantity:
    VAT will be added at checkout.
    About the Book

    Edit

    This volume is a record of experiments using an A4 flatbed scanner to make photographic-style portraits. I am fascinated by the scanner as a substitute for the camera.
Over the years I have scanned small three dimensional objects by placing them directly onto the flatbed– nothing unusual about that. However, I have also positioned the scanner vertically on a stand and scanned people’s portraits from 50 cm up to 120 cm away, using scan-times of one to nine minutes. When using a scanner in this way, the subject needs to be independently lit using studio lights. Over 60 portraits are reproduced.
    Author website
    http://www.mimmocozzolino.com
    Features & Details

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    • Primary Category: Arts & Photography Books
    • Additional Categories Fine Art, Australia
    • Project Option: Large Square, 12×12 in, 30×30 cm
      # of Pages: 40
    • Publish Date: Jan 17, 2012
    • Language English
    • Keywords australia, portraits, scanner, scan
    See More
    About the Creator
    bembo3
    Mimmo Cozzolino
    Melbourne, Victoria, Australia

    I am an Italian born, Australian designer, author, photographer and teacher. My work privileges the visual over the textual because I believe that images speak to us in different ways than words. In 1977, together with the illustration co-operative All Australian Graffiti, I was co-creator 
of "The Kevin Pappas Tear Out Postcard Book", (Penguin). The book prodded irreverently 
at Australian cultural practices using the medium of the postcard. In the 70s I researched a visual history of Australian trademarks, "Symbols of Australia", published by Penguin in 1980. In 2003 my series “Arcadia del Sud” was awarded the prestigious Leica/CCP Documentary Photography Award. This work, comprised of reimagined colour photographs from my late teens, reflects on my family's migration experience. A number of my artworks, photographs, designs and posters are held in the collections of the State 
Library of Victoria, the National Gallery of Australia, the Powerhouse Museum, RMIT Design Archive.

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