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    View Afternoon Villages by Sabrina Ward HarrisonPreview
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    Afternoon Villages

    Make what you most need to find

    by Sabrina Ward Harrison

    This is the price your customers see. Edit price list

    Hardcover, Dust Jacket
    Full-colour dust jacket over linen cover
    Hardcover, ImageWrap
    Hardcover book with full-colour design printed directly on the casewrap
    Quantity:
    VAT will be added at checkout.
    About the Book

    Edit

    Collectors Edition

    In 2006 I found myself in a field of grass hip high. I had moved to the Central Coast of California and stepped back into nature to explore my true path. I lived in an old rugged one-room schoolhouse in the redwoods. This happened just before i Phones emerged and cell phone reception on my flip phone was sparse. It was magic.

    For me, it was a profoundly meaningful time. These are words and images I created from that time. This is the first (Winter) in a series of 4 books, each representing a season of my year there.
    Sabrina Ward Harrison

    Author website
    http://www.sabrinawardharrison.info
    Features & Details

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    • Primary Category: Arts & Photography Books
    • Project Option: Standard Landscape, 10×8 in, 25×20 cm
      # of Pages: 66
    • Publish Date: Mar 25, 2008
    • Language English
    See More
    About the Creator
    danie1020
    Sabrina Ward Harrison
    Madison, WI

    Sabrina Ward Harrison published her first book, Spilling Open: The Art of Becoming Yourself, at the age of 23. Written between the ages of eighteen and twenty-one, Spilling Open was an intimate and moving picture of the contradictions young women face as they are asked to grow into societal norms of femininity. Her tender honesty and singular aesthetic energy turned Harrison into the voice of a generation. Though she went on to publish four more books, to call Harrison an author isn’t accurate. Books were certainly her unique way to distribute the work, but her practice has always begun in her compositions. Harrison’s canvases – whether the pages of a book or a wood paneled painting – appear effortless; flowing bold, singular marks pivot and plot across colored fields of energy. These saturated areas of color, hand written words and beautifully worked surfaces, create a combination of iconography that is immediately recognizable and Harrison’s own.

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