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    View The Sound Beneath the Wind by James EvangelistaPreview
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    The Sound Beneath the Wind

    Field Notes on Seeing

    by James Evangelista

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    Softcover
    Flexible laminated cover
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    About the Book

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    The Sound Beneath The Wind is a lyrical meditation on apprenticeship to landscape, weather, stillness, and ultimately to attention itself.
    Set in the wide country of canyon walls, and high ridgelines, these poems trace a solitary speaker’s gradual adaption to the discipline of listening. Elk move through timber like living geometry. Rivers worry stone into patience. Wind presses through maple and aspen until sound itself thins into something elemental.
    Written in spare, image-driven lines, The First Silence resists sentimentality in favor of grounded physical presence. Nature here is not backdrop but teacher — not metaphor but force. The poems dwell in thresholds: between current and air, shadow and light, breath and stone.
    This volume serves as the foundational work preceding The Discipline of Light, tracing the formative encounters that shape a life of deliberate seeing.
    Author website
    http://www.jamesevangelista.com
    Features & Details

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    • Primary Category: Poetry
    • Additional Categories Fine Art Photography
    • Project Option: 6×9 in, 15×23 cm
      # of Pages: 90
    • Isbn
      • Softcover: 9798240594250
    • Publish Date: Apr 23, 2026
    • Language English
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    About the Creator
    jaeimages
    James Evangelista
    West Bradford, Pa

    James Evangelista is a fine art photographer and poet whose practice centers on the disciplined study of light, weather, and terrain. His work is distinguished by restrained composition, nuanced tonal range, and the quiet tension between shadow and illumination. His photographs are held in private collections and have been exhibited in galleries, juried fine art venues and museum settings. Rather than chasing spectacle, Evangelista focuses on atmosphere and presence—images that reward sustained viewing and deepen over time. His parallel practice in poetry informs his visual work: both disciplines are grounded in patience, restraint, and a disciplined attention to place. The result is a cohesive body of work that bridges image and language while maintaining a clear, contemporary aesthetic.

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