Within this book are a number of signs, symbols and motifs used within Eastern religions, cultures and their art and architecture. From Afghanistan to India to Thailand to Malaysia to Indonesia to Vietnam to China, Mongolia and Japan. Due to an accidental observation made in Tarragona's Cathedral in Spain James was inspired to make an investigation into these, and other, signs, symbols and motifs that were used by Christianity and discovered that not only are these signs, symbols and motifs not in exclusive use by Christianity (they exist in many pre-Christian cultures and religions (as well as many other non Christian cultures and religions, all across the planet, from Africa to Asia to Australia and even to the Americas)) but have their origins in the biology of human life reproduction, that technically can be traced back millions of years, and therefore millions of years before any culture or religion ever existed and therefore brings into doubt the belief that there is a supernatural creator of life (better known in Christianity as God). This book covers the use of these signs, symbols and motifs across Asia and this book does not contain an explanation of these signs, symbols or motifs, it just merely contains them for the basis of future investigation and explanation; that will require much more information than is contained here to explain them, with the resulting conclusive question being ... 'Did God create life? or did life create God?', the latter of which all the evidence suggests is the true answer.