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    View SMALL SPACE by Dirk Jan JagerPreview
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    SMALL SPACE

    photographs 1990 to 2007

    by Dirk Jan Jager

    This is the price your customers see. Edit price list

    Hardcover, Dust Jacket
    Full-colour dust jacket over linen cover
    Hardcover, ImageWrap
    Hardcover book with full-colour design printed directly on the casewrap
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    Ebook, Apple iPad format

    £4.33
    About the Book

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    This book is a selection of analogue photographs made by the artist throughout the 1990s, a period that ended with the advent of the affordable digital camera. The photographs were made by the artist himself, with no other person present, as an experiment to capture certain visual ideas. This book presents these photographs as art works in their own right, in their celebration of transitoriness of various kinds. Prominent in the photographs is the entry of the physical body into the frame and an eloquent relationship between the body and its spatial surroundings. In retrospect, the photographs reflect a gradual transition in the artist's work from painting to performance art.
    Author website
    http://www.dirkjanjager.nl
    Features & Details

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    • Primary Category: Arts & Photography Books
    • Project Option: Large Format Landscape, 13×11 in, 33×28 cm
      # of Pages: 64
    • Publish Date: Oct 26, 2014
    • Language English
    • Keywords Dirk Jan Jager, performance art, black and white, male model, Paul Glazier, Zeynep Gündüz, analogue photography, contact sheets, photography, colour, nude, dance, theatre
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    About the Creator
    dirkjanjager
    Dirk Jan Jager
    Amsterdam

    Dirk Jan Jager is a performance artist working in a variety of media. He began his career as a painter, and in his performance work he still approaches painting from unusual perspectives. In many of his performances the living surface of the body is defined as a site of intervention. It becomes a blank canvas, yet its surface does not exactly receive, or host, images. Jager alludes to motifs from painting or mythical figures to stage the body, allowing the familiar image to act as a second skin, which in the course of the performance is gradually peeled off, to reveal an anonymous, generic body. A central element in his work is the gesture of erasing identities, and images that support them. Another aspect of his work is the interest in rituals and rites of passage, and transitional states that give birth to a new person, within a performative situation which involves the covering and peeling off the full surface of the body with different materials.

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